robert smithson writing

Robert Smithson’s Asphalt Rundown February 22, 2015 May 12, 2015 Lisa Martin Artifacts While it predates the invention of the Anthropocene term/concept by several decades, Robert Smithson’s artwork Asphalt Rundown (1969) both embodies and scrutinizes key aspects of the Anthropocene.

Robert Smithson: Time Crystals Curated by Dr Amelia Barikin and Professor Chris McAuliffe Robert Smithson: Time Crystals is the first exhibition in Australia dedicated to the work of American artist Robert Smithson (1938-73). By Robert Sulliva n. June 18, 2014 Save this story for later. Get this from a library! For no one is this truer than for Robert Smithson. His large-scale sculptures, called Earthworks, engaged directly with nature and were created by moving and constructing with vast amounts of soil and rocks. Since the 1979 publication of The Writings of Robert Smithson, Robert Smithson's significance as a spokesman for a generation of artists has been widely acknowledged and the importance of his thinking to contemporary artists and art critics continues to grow.In addition to a new introduction by Jack Flam, The Collected Writings includes previously unpublished essays by Sm
The book that broke things open for me with regards to the interconnectedness of the artist’s roles as both “maker” and “speaker” was The Writings of Robert Smithson, first published in 1976, when I was still an undergraduate art major. Robert Smithson, the collected writings. For two years, he was enrolled at The Art Students League in New York and, for a briefer period, at The Brooklyn Museum School. Painted steel works such as Plunge (1966), Alogon #2 (1966), and Terminal (1966), employed industrial materials, geometric forms, and … robert..smithson:- the collected writings edited by jack flam university of california press tklkc(cy l.oshlfco~ london robert..smithson:- the collected writings edited by jack flam university of california press tklkc(cy l.oshlfco~ london Robert Smithson expressed a profound interest in the arts from an early age. The Writings of Robert Smithson: Essays with Illustrations [Holt, Nancy] on Amazon.com. More so than most other artists of his generation, Robert Smithson is a figure who has encouraged something like a 'cult following', in which admiration for the man and for his work can be difficult to separate. Left side image: Robert Smithson, Hotel Palenque, dimensions variable 1969-72. Smithson's sculptures of the mid 1960s maintain a strong resemblance to the Minimalist installations of Donald Judd, Carl Andre, Sol LeWitt, and Robert Morris. Smithson preferred to work with ruined or exhausted sites

Painted steel works such as Plunge (1966), Alogon #2 (1966), and Terminal (1966), employed industrial materials, geometric forms, and … Robert Smithson, American sculptor and writer associated with the Land Art movement. Best known for his radical land art of the 1960s and early 1970s, Smithson Slide projection of thirty-one 35mm color slides (126 format) and audio recording of a lecture by the artist at the University of Utah in 1972 (42 minutes, 57 seconds). Robert Smithson and Ruins in Reverse Simon O’Sullivan ction. Robert C. Morgan, Conceptual Art: An American Perspective (1994: MacFarland & Co. Inc. Publishers, North Carolina), 67. Smithson's writings have been gathered together in a book edited by Nancy Holt, The Writings of Robert Smithson (1979). Robert Smithson is an influential figure in the history of contemporary writing in creative practice. The Source of Robert Smithson’s Spiral. Additional Information: Perhaps most renowned as the creator of Spiral Jetty (1970), a fifteen-hundred-foot rock coil dramatically situated in the Great Salt Lake, Robert Smithson (1938–1973) also broke new ground with his films, photographs, writing, drawings, and collages. NB: All Smithson texts hereafter are cited from Robert Smithson: The Collected Writings so only the essay itself will be footnoted with the page number referred to as it is within The Collected Writings. Smithson's sculptures of the mid 1960s maintain a strong resemblance to the Minimalist installations of Donald Judd, Carl Andre, Sol LeWitt, and Robert Morris.