John Coltrane: My Favorite Things analysis


MY FAVORITE THINGS COLTRANE ANALYSIS could not helpaug , review was . My Favorite Things may refer to: "My Favorite Things" (song), from the musical The Sound of Music My Favorite Things (John Coltrane album), 1961; My Favorite Things (Dave Brubeck album), 1965; My Favorite Things (Joey Alexander album), 2015; My Favorite Things (Shiori Takei album), 2004; See also.
Theomegleyouhatewatch the two chords that coltrane would have never. Afro Blue is a soundscape with several different vistas. Listen to john coltrane . "My Favorite Things" is an important milestone in John Coltrane's all-too-brief but indisputably stellar career. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes and was at the forefront of free jazz.He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist and composer.
John Coltrane died on July 17, 1967 at the age of forty. This song name is also the title of jazz saxophonist John Coltrane's seventh album, My Favorite Things, released in 1961.The album features no jazz standards but five reworked popular tunes by the likes of Gershwin and Porter, including a thirteen minute instrumental version of "My Favorite Things." One of the greatest modal jazz masterpieces ever created ! It marks the point where, after years of playing second fiddle to Miles Davis, Thelonious Monk and others from whom he learned so much, he finally formed and led his own quartet and began to carve out that distinctive Trane sound. I would recomend this album to fellow devotees. Had he lived, he would have turned 90 on September 23rd of this year.

"My Favorite Things" is an important milestone in John Coltrane's all-too-brief but indisputably stellar career. The musicological analysis of Coltrane, even more so than that of other improvised music, is the most daunting of enterprises. transformed the musical parameters of Rodgers and Hammerstein’s “My Favorite Things” with his own modal rendition. Although seemingly impossible to comprehend, this landmark jazz date made in 1960 was recorded in less than three days.

On: Schott, John. John Coltrane is my favorite musician bar none. by Ralph Dumain. An academic thesis exploring the evolution of John Coltrane's avant garde jazz style by close analysis of four recordings of 'My Favorite Things' between 1960 and 1965. Coltrane was greatly influenced by Miles Davis. "My Favorite Things" is an important milestone in John Coltrane's all-too-brief but indisputably stellar career.

It marks the point where, after years of playing second fiddle to Miles Davis, Thelonious Monk and others from whom he learned so much, he finally formed and led his own quartet and began to carve out that distinctive Trane sound. Favourite Things", a 2003 single by Big Brovaz Review was wondering if anybody make some suggestions about . It marks the point where, after years of playing second fiddle to Miles Davis, Thelonious Monk and others from whom he learned so much, he finally formed and led his own quartet and began to carve out that distinctive Trane sound. The record became a major commercial success. My Favorite Things is the seventh studio album by jazz musician John Coltrane, released in 1960 on Atlantic Records, catalogue SD-1361.It was the first album to feature Coltrane playing soprano saxophone.An edited version of the title track became a hit single that gained popularity in 1961 on radio. Song Of The Day: John Coltrane’s ‘My Favorite Things’ And More April 14, 2014 “My music is the spiritual expression of what I am — my faith, my knowledge, my being. It marks the point where, after years of playing second fiddle to Miles Davis, Thelonious Monk and others from whom he learned so much, he finally formed and led his own quartet and began to carve out that distinctive Trane sound. As Ingrid Monson explains, Coltrane turned “a ‘corny’ tune into a vehicle for serious jazz improvisation” (Monson, 107).